October 2025
More photos here



 


 

My last visit to Florence had been a guided tour in February 2022 and was just post-Covid, so involved rigmarole like tests, forms and masks. My last trip with Jane was 2018, and she hasn't flown anywhere since Covid. And this was also a trip for her birthday. So something of a celebration was in the air.

Wednesday 8th
A quick and trouble-free train journey to Gatwick was followed by a quick passing through of check-in and security, despite the Vueling self-check-in machines not recognising us. And the flight had empty seats, including one next to us, and was nearly hall an hour early. The tram ticket machine posed no problems and we were soon at our hotel door. We had been warned that the hotel was unstaffed after 7.30 and had been prepared with a code to get us through the huge wooden door from the street, through the iron gates and, after going up in the lift, to get us through the landing door. As promised our keys were in a welcoming envelope on the desk and we were soon in our quirky rooms. Our hunger precluded unpacking yet, so we headed off to old fave the Grotta di Leo, which was heaving, with a huge group, but still provided reviving pizzas and beers. The first gelato, for me, from the place in Piazza SM Novella, was cinnamon and coconut.

Thursday 9th
The Hotel Splendid breakfast is fine with regard to pastries, cereals and coffee, but not so good where the orange juice is concerned. Same as it ever was, as the Talking Heads song goes, although the foyer of the hotel has a pegboard with Road to Nowhere's lyrics spelled out on it.

An unrushed mooch over the Ponte Vecchio, through the Piazza della Signoria and up to the Duomo got us to the Palazzo Strozzi in time for our 10.30 booking for the Fra Angelico exhibition. The queue was bypassed, we learned how to use the new glass-fronted lockers' combination locks, and then we were in. And boy was it a fine show! The hanging, lighting, spacing, captions and selection of works for context were all spot-on. Many works had had their panels reunited for the first time in ages, and many had been cleaned up for the exhibition, including a fave Lorenzo Monaco Annunciation from Santa Trinita. The coup of the exhibition was bringing together 17 of the 18 remaining panels of the San Marco Altarpiece (see right). The exhibition passed in a good-length blur of pleasure.

To old fave Mama's Bakery for a cream-cheese bagel lunch and for an apple muffin to take back for afternoon tea, our hotel being cunningly close by.

The post-siesta stroll took us west to San Frediano and then over the Arno for a visit to the church of Ognissanti, always an eclectic treat. A loop to take in the Rucellai palace facade, always a treat in the evening, and we returned to the Grotta di Leo. Not heaving tonight, thankfully, and I remembered how much I like the Pappa di Pomodoro, and lo, it was far from a false memory. The gnocchi al pesto was to follw.

Friday 10th
Striking while the Fra Angelico iron was hot we decided to visit the exhibition's other centre this morning, at San Marco. Here are the usual joys of the cells, the cloister Crucifixion and the Chapter House, plus the Fra Angelico room, having lost some goodies to the Strozzi exhibition, has filled the gaps with a lot of loans, amounting to an exhibition of early works. Also the library has an impressive display of Fra Angelico's book illumination, and such like. There is a new bookshop just before the exit, so the Cenacolo with the fab Ghirlandaio Last Supper is no longer full of loitering and shopping. Another good morning.

We made for Ruth's, by the synagogue, for a fine falafel lunch, and I got a gelato from Neri on the way back - ricotta and fig with mandarin.

Our evening escapade was a walk west to find a church called San Bartolomeo, up Monte Oliveto, so named because the church's monastery here was founded by a monk from Monte Oliveto Maggiore. The church once housed the famous and fine Annunciation by Leonardo da Vinci, his earliest existing painting. San Bartolomeo was closed but didn't look abandoned, indeed a road sign said it was UNESCO certified, for what that's worth. The hospital adjoining, however, is a wreck undergoing rebuilding (see right).

For our evening meal we found the Florence branch of Piadineria for the wrap I had many times in Milan.

Saturday 11th
Today Jane made for the Specola museum and I headed off to find Santa Maria a Ricorboli, another recently-discovered church, this time just outside the walls to the east. But first I popped into Santo Spirito, always a treat, and their continuing ban on photography made for a more calm and spiritual wander. My walk took me past the famously always-closed church of San Niccolò and...it was open! After my decades of complaining. A similarly long-suffering fellow complainer had found it open last January, after having lived in Florence for 12 years and never having done so, so my surprise was less heart-attack inducing, but still. Many notes and photos were taken before I moved east and found Santa Maria a Ricorboli. It's a clean and functioning church, and has a Virgin and Child which the church says is by Giotto himself (see right).

I'd spotted a panino place opposite San Niccolò, and their mozzarella and tomato with pesto tempted my back. I ate it in a slightly scruffy little park just by the town wall and it was good and freshly made. A gelateria nearby provided a stracciatella and lemon cono and a little almond crescent cake was spotted in a pasticceria just by the Ponte Vecchio, for afternoon tea.

Our evening walk took us up to the Alessi food shop near the Duomo where I got some pear and honey chocolate, spicy rooibos tea bags, plus a jar of chinotto marmallata. They didn't have any Mostarda Toscana, though, which was disappointing as I'd expected to get it here, Florence being in Tuscany. Back to the Leo for pappa di pomadoro and a cipolla pizza.

Sunday 12th
To the Innocenti Ospedale museum this morning as their already superior art gallery recently added some rooms of frescos, which are well worth a visit, with some impressive examples to get real up close to. They have a couple of sweet courtyards too, and displays explaining the history and function of the place.

For lunch we returned to Mama's for bagels, and a
slice of apple sponge topped with berry compote and almonds to take back for hotel tea. I blagged a fork and plate from reception to complete the experience.

Monday 13th
Doing our own things today, I headed off to Santa Croce. No queue at the ticket office, where there was a small PC-printed poster telling us that the Bardi chapel was in restauro, which I knew. What wasn't mentioned was the nave being half fenced off with a very long crane doing stuff to the top of the wall under the ceiling. Also the door to the small courtyard and Famedio was closed, as was the corridor that used to begin the Museum, before reaching the refectory. The refectory building itself is covered in scaffolding and the entrance to the cloister where the Romantic monuments are kept is now the entrance to a toilet. But apart from all that...

Over the Arno for a repeat of my Saturday panino lunch, in the same park, but this time with a bag of 1936 crisps. Having entertained doubts that my old legs could still manage the punishingly steep slope up to San Miniato I realised that I was looking up at the road to Piazzale Michelangelo and if cars could manage it so could I, and I did. When I got up there I found that the steep way up was now fenced off at the top. Reaching San Miniato I found it all covered in scaffolding for work due to finish August this year. I thought I knew the Porte Sante cemetery around San Miniato, but the bits down steps in front of the church and just through the gate to the left of the church are not the half of it. Carrying on past the campanile you reach a feast of chapels, mausolea, monuments and a huge three level pyramid of tombs. I couldn't have been more surprised and, I confess, thrilled, and a bit overwhelmed. I spent a good while there but I did not feel I did it justice.

Our evening meal, after some discussion, confusion and finding one chosen place closed, ended up at a table outside Ristorante Ricchi in Piazza Santo Spirito. The atmosphere was buzzy, but the pizza was not special and a question about a starter was answered by the waiter with guess-work masquerading as fact. On the way back I had a vanilla and pear cono from Sbrino - Gelatificio Contadino where we'd seen queues. It was not special.

Tuesday 14th
As a wise man once said - if it's your last day in Florence and you've not been to Santa Maria Novella yet, you know where you gotta go. On the way I tried, for the umpteenth time, to get some Marvis cinnamon toothpaste, this time from a pharmacy I've used in previous decades. I was told they don't stock Marvis at all now as it's made in China.

The entrance to SMNov at the moment is through the door to the left hand aisle. Which gives you soon the view of the Massacio Trinity covered in scaffolding. But a sinking heart becomes a leaping one when you see that you can pay a man €1.50 to climb up into the scaffold (see right). Verily a treat. No scaffolding probs through the rest of the visit, just the same old best frescoed east end anywhere (see below right), the Spanish Chapel, the cloisters...all the usual joys. There is a new gift shop and cafe in the modern bit before you exit out the back way. But there's still the old shop in the Sacristy, selling different stuff.

To Mama's for our final cream cheese bagels, with an apple and cinnamon muffin to go.

In the evening we made for Santi Apostoli as I'd read of a newly returned altarpiece, finally back from restoration following the 1966 flood! And there it was, in the fourth chapel on the left. As we left I pointed out to Jane that the fine old-fashioned shop that sold everything you could classify as household - hardware, cleaning products, coffee machines, cups and cutlery... - was still there. And what was in the window? Marvis toothpaste! And they had just today had a delivery which included the small cinnamon tubes I'd been failing to find since my Milan trip in March.

Our last meal at the Grotta di Leo was, for me, my last pappa di pomadoro and spaghetti in a mouth-tingling and eye-watering tomato sauce, with garlic and pepper.

Wednesday 15th

Our flight at 12.35 meant leaving the Splendid for the SMN tram stop around 9.30. Our timing was perfect. BA/Vuelling did less well – the woman gossiping on the check-in desk with her mate forgot to give us our boarding passes. I politely reminded her. And our flight left after 2.00, an hour and a half late.

















Holiday Reading

Sarah Winman Still Life
I reviewed and heartily recommended this book when it came out in 2022. Since then it's become the book most mentioned by people who I meet on trips, and the like, when we start talking about novels set in Florence. So, a book crying out to be re-read whilst visiting the glorious city at its heart. It's a book about love in all its guises and permutations and degrees. It's full of good bits and impossible not to get seduced by, with its believable characters mostly cursed with good luck. There's lots of art, food, skies and landscape too. It's just such a Florentine experience, full of joy, as I say, but bookended by the War and the Flood of 1966. both feelingly evoked. If you're not in Florence when you read this book you soon will be.
Cristina Acidini & Elena Gurrieri
Florence Through Renaissance Eyes
This very pretty book has a pretty deceptive title. The subtitle however provides clarity - A Walk with the Author of the Codex Rustici. The 15th-century Codex that bears Marco Rustici's name contains many illustrations of churches which, when I've found them, have usually ended up illustrating the entries on Churches of Florence. So I'm more than happy to find out more about the chap, and have access to more nice pictures.
   



Fra Angelico

edited by Strehlke, Casciu, and  Tartuferi,


A book for which the description 'hefty tome' could have been invented. It's heavy, is 444 pages long, costs €80 and takes some carrying (in my suitcase home), and reading. After four chapters of background we get chapters devoted to each of the rooms in the exhibition, with introductions and then actual catalogue entries for each work! After many years of major catalogues that aren't actually catalogues this is very refreshing. Works that aren't in the exhibition are included to complete the story. The illustrations are as sharp and vibrant as you could wish for, with lots of details.





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